Red Notice – released today on Netflix – is officially an action comedy. But it is not good for any of these main ingredients. Most of the time, he continues to throw a series of verses without ever engaging in his jokes. The Netflix movie, written and directed by Rawson Marshall Thurber, has no personality – the fad shareholder screams for most of its 117-minute run. I saw him earlier this week and I’ve already forgotten most of his action sequences. That’s how memorable they are. In essence, Red Notice is a very common theft movie, with little flair and its own panache. Except that it features three of Hollywood’s main characters
actor stars. And that it is the only reason it exists.
Watching the film clearly shows that Red Notice was designed as a star vehicle for Dwayne Johnson, Ryan Reynolds and Gal Gadot. They know, Netflix knows, and filmmakers know that audiences meet to see their faces, which explains why all three of Johnson, Reynolds, and Gadot play fewer characters and more of a version of them. Reynolds does his usual job (Deadpool), except for a family-friendly PG-13. By the way, Red Notice is extremely family friendly. Although bullets and explosions pepper the film, there is no blood, wounds or corpses. Johnson lacks his characteristic smile and raised eyebrows and must be content with a lot of mesh during his time with Reynolds. Gadot seems the most herself and the one who has the most fun.
That being said, Red Notice is best when it comes to putting the trio in a room – it needed more of that and better dialogue exchanges to go along with the scenes. But it’s such a shy movie. Red Notice plays absolutely safe, there are no big risks or changes here. It’s all about creating a new Netflix IP – that’s all Hollywood is looking for these days – and it’s not just cynical, it’s a waste of money. Netflix has spent over $ 200 million (about Rs 1,489 million) on film, one of the most expensive of all time. A large part of these are salaries. Johnson, Reynolds and Gadot were paid more than $ 20 million (about $ 149 million). For this? He’s crazy.
And while Red Notice does its best to push your globe-trotting status forward – from Rome to Bali, Russia to Valencia, Argentina to Cairo and Sardinia to Paris, the names are spitting on the big screen – it’s crazy how small the film feels. This is probably because Red Notice spends so much time indoors. What’s the point of going around the world and being on the spot when you’re just … inside?
Dhamaka, Red Notice, Tiger King 2 and more on Netflix India in November
On the face of it, Red Notice has “characters”, although they are really showcases. Johnson plays the role of FBI Special Agent John Hartley, who is described as the greatest profiler in the world, Reynolds is the world’s greatest crook Nolan Booth, whose status as a famous art thief is surpassed by the future The Bishop, played by Gadot. who doesn’t get a name on the screen forgets the background story. Not that the other two do better – developing their character on Red Notice is basically “father’s problem”. The Netflix movie is just as weird with its exposure, its characters giving us regular information, either talking about themselves, pointing us to a twist, or introducing us to their future plan. Everything is very on the nose.
Red Notice also has a plot, though it matters little, as Reynolds himself points out in a fourth MacGuffin comment: An Egyptian billionaire wants the three eggs with lost jewels of the late Egyptian queen Cleopatra – invented, not a real thing – for Wedding. of his daughter named Cleopatra. He offers hundreds of millions as a reward. The characters of Reynolds and Gadot are both after the award, with Johnson on their tail.
They are also being pursued by Inspector Das (Ritu Arya, of The Umbrella Academy), Interpol super-policeman, who explodes the jurisdiction. But she has a minor, ungrateful role, just like Silicon ValleyRuss Hanneman’s brother – I mean Chris Diamantopoulos, who plays the minor villain Sotto Voce. He is blocked with a terrible accent that almost looks like a prank played with him.
Although drowned out by cacophony later, Red Notice does some nice things at first. While Johnson is big and wide, Reynolds is elegant and gradual. This translates into a nice contrast in the early action. Reynolds jumps in circles, maneuvers around obstacles and can find his way without creating a mess if he doesn’t want to. Johnson just hits on things with his weight – he’s inelegant, unlike Reynolds, though he does his job. Annoyingly, Red Notice forgets to ever use this contrast once this scene is over. In addition, although there are flashes of comedy during the action scenes here and there, it is too generic for the most part.
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Red Notice desperately wants to be up to date with the best action movies, but makes very little effort. Thurber has nothing to offer here that he hasn’t seen a hundred times before.
The Chris Hemsworth-led shoot – another Netflix effort to get some action movie IPs – could have been just as weak in the narrative department and wasting talented actors, but at least it was committed to providing action. With 99 million Netflix households watching Extraction in the first four weeks after launch, that was enough to get a sequel that begins filming later in November and is scheduled to arrive in April 2023.
Netflix doesn’t have a John Wick, Fast & Furious or Mission: Impossible of its own – and despair is palpable. But not everyone was as successful as Extraction in launching a franchise. It was tried before with Will Smith in Bright, but an immediately green sequel did not materialize four years later. Then there was 6 Underground, led by Reynolds, at the end of 2019, whose sequel was canceled with Netflix – in a rare acknowledgment – noting that the movie didn’t work.
But it doesn’t stop. In addition to Red Notice, which is deliberately leaving room for a sequel, Netflix has already prepared another $ 200 million action thriller franchise: The Gray Man, starring Ryan Gosling and Chris Evans, and Avengers directors: Endgame at the helm. Gosling is expected to resume his role in the sequel to The Gray Man. Netflix has a lot of money to throw away and it looks like it will continue to burn tons of it until it hits gold.
Whether there is a future for Red Notice could depend on how the public greets it. You would expect it to break the first-month extraction record, given the stellar power attached. But whether it deserves a future is a whole different debate. For what it’s worth, the franchises have been transformed into the hands of a better writer and director. Except it’s not that simple for Red Notice 2. Johnson is not just one of the three protagonists, he is also a producer for Red Notice. And as such, he has great control over the direction of Netflix (and potential series).
As his stature in Hollywood grew, Johnson’s circle grew smaller. He has worked with Thurber on two previous occasions: the 2018 action thriller Skyscrapersand the 2016 action comedy Central intelligence. He has also worked with Brad Peyton three times, including the 2015 disaster film San Andreasand the 2018 monster movie Rampage. And the guy who delivered his Disney Jungle Cruise vehicle, Jaume Collet-Serra, was chosen to present Johnson’s debut in DC as Black Adam. Johnson clearly works with these directors because he knows that he is the highest authority in the room, more as a producer for all these films. He is essentially the ghost director.
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Johnson is unlikely to relinquish control of an author director. That’s partly why Johnson couldn’t work at Fast & Furious anymore, I think. Vin Diesel is the star and producer of that franchise and there was simply no room for two of them. Instead, Johnson went and created a super-sized version of it all over Hollywood. He does more or less the same thing wherever he goes, whether it’s Rampage, Jumanji or Red Notice – and he hasn’t even completely left Fast & Furious behind, resuming his role in the average spin-off. Hobbs and Shaw which also has a continuing development.
Most of his films offer hundreds of millions of dollars at the box office, which is why everyone wants to be in the Johnson business. For Netflix, it’s all about the number of subscribers they can attract (and retain), with the combined power of Deadpool, The Rock and Wonder Woman. Red Notice is a criminal waste of money and time for everyone except those who were paid $ 20 million.
Red Notice is released on Friday, November 12 at 13:30 IST / 12:00 PT on Netflix worldwide. In India, Red Notice is available in English, Hindi, Tamil and Telugu.